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When Resample is turned on, modifications to Resolution or Document Size in the Images Size window affect only the Pixel Dimensions. What s happening is that when we make the document smaller or reduce its resolution, resampling takes pixels from the image to make it smaller. This is called downsampling. If we make the Document Size larger or increase the Resolution, resampling adds pixels to the image. This is called upsampling. You can verify that this is taking place by looking at the file size readout next to Pixel Dimensions. In Figure 9.2, the file size was 1.03 megabytes. In Figure 9.3, it becomes 263.7Kb. Fewer megabytes means fewer pixels. Keep in mind that adding lots of pixels to an image can affect the image s quality. Photoshop is pretty good at upsampling, but only so much can be done. Lots of guesses need to be made on Photoshop s part when deciding what color to make a new pixel. If you push it too far and try to upsample an image beyond Photoshop s capabilities, you can end up with a low-quality file. For projects that require upsampling beyond Photoshop s abilities, look to a plug-in like Genuine Fractals by onOne Software. This plug-in uses fractal math to accomplish some amazing upsampling feats.

FIGURE 7.5 Painting on top of a layer using the Behind blending mode. Notice how the added pixels appear to be behind the existing pixels on the layer.

of focus for the Gaussian beam, the structure and rate of blurring near the focus is substantially different for the two-beam patterns and that the depth of focus for the Airy pattern exceeds the depth of focus for the Gaussian with similar waist size. An increase in the depth of focus by just a few micrometers can lead to dramatic increases in the depth of eld. Given that the Airy beam outperforms the Gaussian beam in certain circumstances, one may reasonably ask whether there exist beams that outperform the Airy beam by a useful factor. Optical EDOF seeks to create such beams by coding P(x, y) to balance depth of focus and resolution. Diverse amplitude and phase modulations of the pupil function have been considered over the long history of optical EDOF. The aperture stop is the simplest amplitude modulation for EDOF; more sophisticated amplitude lters were pioneered by Welford [247], Mino and Okano [178], and Ojeda-Castaneda et al. [189]. As optical fabrication and analysis systems have improved, phase modulation has become increasingly popular. The potential advantage of phase modulation is that it does not sacri ce optical throughput. In practice, of course, one may choose to use both phase and amplitude modulation. Suppose, as an example, that we wish to extend the depth of eld using a radially symmetric phase modulation of the pupil function. With reference to Eqns. (4.66) and (6.24), the incoherent impulse response for a defocused imaging system with

Many of the most powerful men surrounding President Nixon were now implacably associated with Watergate evil, and some of Nixon s most outspoken enemies were linked to Watergate good As the structural and symbolic centers of the civil religion were becoming so increasingly differentiated, the American public found the presidential party and the elements of civic sacredness more and more dif cult to bring together The year-long crisis which followed the hearings was punctuated by episodes of moral convulsion and public anger, by renewed ritualization, by the further shifting of symbolic classi cation to include the structural center, and by the further expansion of the solidary base of this symbolism to include most of the signi cant segments of American society The impeachment hearings conducted by the House Judiciary Committee in June and July of 1974 marked the most solemn and formalized ritual of the entire Watergate episode.

(5.44) (5.45)

It was the closing ceremony, a rite of expulsion in which the body politic rid itself of the last and most menacing source of sacred impurity By the time of these hearings the symbolization of Watergate was already highly developed; in fact, Watergate had become not only a symbol with signi cant referents but a powerful metaphor whose self-evident meaning itself served to de ne unfolding events The meaning structure associated with Watergate, moreover, now unequivocally placed a vast part of White House and center personnel on the side of civil pollution and evil The only question which remained was whether President Nixon himself would of cially be placed alongside them as well [T]his committee, like its Senate counterpart one year before, existed in a liminal, detached place.

The fastest way to create a mask is to click one of the Add Mask icons in the Layers panel or in the Masks panel, as shown in Figure 10.28. If you have an area in your image selected, a mask is created from that selection. You also can create a mask from a path. If no selection or path is active, the mask is blank. Two different types of masks can be created using these icons: a pixel mask and a vector mask. The type of mask created depends on whether you create the mask from a selection or a path.

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